Ching-te-chen

In the subsequent Sung period, tomb figures seem to have been particularly popular in Kiangsi Province, often being made in high-fired porcelain produced at Ching-te-chen.

1996, Arts of the Sung and Yüan, Metropolitan Museum of Art, →ISBN, →OCLC, →OL, page 37

This technique was first employed by kilns in North China, especially Ting-yao, from the late tenth century on and spread to the south around the end of the Northern Sung, when it was further developed in Ching-te-chen and Te-hua to maximize the speace inside the kiln for mass production.

2000, Billy K. L. So, Prosperity, Region, and Institutions in Maritime China: The South Fukien Pattern, 946-1368, →ISBN, →LCCN, →OCLC, page 360

Chinese export porcelains dropped in quality in the early nineteenth century (Tindall 1975) and this, along with the rise in popularity of English white earth- enwares and the destruction of the major Chinese potteries at Ching-te-chen, led to a decline in the availability of Chinese porcelains in the western market by the 1850s (Weiss 1971:46).

2014, “Analysis of Historical Artifacts”, in Archaeological Laboratory Methods: An Introduction, 6th edition, Kendall Hunt Publishing Company, →ISBN, →OCLC, page 185