hungweiping

Today many hungweiping detachments have escaped this control and millions of young people have become aware of the criminal character of the “cultural revolution” and the reactionary nature of Mao Tse-tung’s “thought.”

1969, Wang Ming, “Cultural Revolution or Counter-revolutionary Coup?”, in Information Bulletin, volume 7, World Marxist Review Publishers, →OCLC, page 47

In China, the hungweiping and the tsaofan, used by the army officers backing Mao Tse-tung to smash the Party leadership and all workers’ organisations, have much in common with the student and youth bands that were formed and employed by Indonesian army commanders and bourgeoisie prior to the Chinese “cultural revolution” to smash the Communist Party and other anti-imperialist forces.

1971, “Socialism and National Liberation Revolutions”, in Jim Riordan, transl., edited by Yuri Sdobnikov, Socialism and capitalism: score and prospects, Moscow: Progress Publishers, →OCLC, page 235

Peking loudly announced that the “cultural revolution” which was in progress in China should be extended to the whole world. Hungweiping publications earnestly put forward the task of remaking the universe with the aid of the ideas of the "great helmsman", of staging a great revolutionary spectacle not only on the home scene but on the international scene as well.

Б. Т. Колосков

1975, O. B. Borisov [Олег Борисович Борисов], B. T. Koloskov [Б. Т. Колосков], “Sino-Soviet Relations in the Latter Half of the 60s”, in Sino-Soviet Relations 1945-1973: A Brief Story, Moscow: Progress Publishers, →OCLC, page 296