rasgueo

plural rasgueos

1. uncountableentertainmentA strumming technique associated with flamenco guitar playing; rasgueado.

   There’s no denying that flamenco guitar with its machine-gun speed picking riffs and dizzying helicopter-like ‘rasgueo’ hand strums is physically punishing.

   2011 March 14, Ciaran Giles, “Spaniards eat up Cdn guitarist; Flamenco guitar traditionally an area dominated by men”, in Trail Times, Trail, British Columbia, page 8

   3 more examples

   The prominent rhythm is ♩♫♩, with the first note receiving stress through an agogic or dynamic accent, by being arpeggiated rapidly, or with an upward movement of the rasgueo.

   1981, Robert Edwin Fogal, Traditional Music and the Middle Class: A Case Study of Mercedes, Province of Buenos Aires, Argentina, Dissertation, Indiana University, page 189

   His technique on the instrument mainly consists of medium-tempo strums and is somewhat rudimentary—compared to the virtuosic rasgueos of Los Sumac Huaynas’ Chocni López (briefly discussed in Chapter 3)

   2020, Fernando Rios, Panpipes and Ponchos : Musical Folklorization and the Rise of the Andean Conjunto Tradition in la Paz, Bolivia, page 157

   There are several factors that contribute to the variety of options open to the guitar player when dealing with rasgueo. If a chord is held down by the left hand, the attack will sound differently depending on whether the fingers on the right hand thrust down, aided by gravity and the extension of the fingers, or are drawn up across the strings in a gripping action.

   2021, Robin Foggo, “Flamenco: Musical Structure and the Practice of Improvisation”, in Musicologist, volume 5, →DOI, page 54

2. countableuncountableentertainmentA passage within a song featuring guitar played with the technique.

   1 more example

   On a larger structural level, there are semi-independent musical units or blocks, which, when placed within a compás and assembled, create a piece. These components include rasgueos (here I refer to the structural unit, which is comprised of the technique mentioned above), falsetas, llamadas (Eng. call), cierres and remates.

   2021, Robin Foggo, “Flamenco: Musical Structure and the Practice of Improvisation”, in Musicologist, volume 5, →DOI, page 57