state and ancientry

[…] wooing, wedding, and repenting, is as a Scotch jig, a measure, and a cinque-pace: the first suit is hot and hasty, like a Scotch jig, and full as fantastical; the wedding, mannerly-modest, as a measure, full of state and ancientry; and then comes repentance and, with his bad legs, falls into the cinque-pace faster and faster, till he sink into his grave.

c. 1598, William Shakespeare, Much Ado about Nothing

He had seen her but in places comparatively great—in her aunt's pompous house, under the high trees of Kensington and the storied ceilings of Venice. He had seen her, in Venice, on a great occasion, as the centre itself of the splendid Piazza: he had seen her there, on a still greater one, in his own poor rooms, which yet had consorted with her, having state and ancientry even in their poorness; but Mrs. Condrip's interior, even by this best view of it and though not flagrantly mean, showed itself as a setting almost grotesquely inapt.

1902, Henry James, The Wings of the Dove

The world there was at the same time, by an odd extension or intensification, the local present fact, to my small imagination, of the Second Empire, which was (for my notified consciousness) new and queer and perhaps even wrong, but on the spot so amply radiant and elegant that it took to itself, took under its protection with a splendour of insolence, the state and ancientry of the whole scene, profiting thus, to one's dim historic vision, confusedly though it might be, by the unparalleled luxury and variety of its heritage.

1913, Henry James, A Small Boy and Others