teashade

A leather corset hugged her waist, tight and glossy black, the shadows offset by a rainbow headscarf and violet teashade glasses.

2011, Allison Pang, chapter 2, in A Brush of Darkness (Abby Sinclair; 1), New York, N.Y.: Pocket Books, →ISBN, page 21

Whilst at first it seems like there is little more than a similar predilection for round teashade sunglasses connecting the Beatles’ John Lennon to Oasis’s Liam Gallagher, for instance, in fact the counterculture’s cul-de-sac of passivity—or, as Fisher puts it, its “hey man, it’s all about the mind!” sensibility—was as much the driving force behind the “bleary, blurry, beery, leery, lairy” vibe of Britpop hedonism as it was for the acid tests of the bohemian unwashed.

2020, Matt Colquhoun, “Atrocity Exhibition”, in Mark Fisher, Postcapitalist Desire: The Final Lectures, London: Repeater Books, →ISBN, Introduction (No More Miserable Monday Mornings)