eschew

present singular third person eschews · participle present eschewing · participle past eschewed · past eschewed

1. formaltransitiveTo avoid; to shun, to shy away from.

   What cannot be eschew'd must be embrac'd.

   c. 1597 (date written), William Shakespeare, “The Merry Wiues of Windsor”, in Mr. William Shakespeares Comedies, Histories, & Tragedies […] (First Folio), London: […] Isaac Iaggard, and Ed[ward] Blount, published 1623, →OCLC, (please specify the act number in uppercase Roman numerals, and the scene number in lowercase Roman numerals)

   5 more examples

   And peraduenture my lady the quene sente for hym to that entente that syr Launcelot shold come to her good grace pryuely and secretely wenynge to her that hit was best so to do in eschewyng & dredyng of sklaunder "And peradventure my lady, the queen, sent for him to that intent that Sir Launcelot should come to her good grace privily and secretly, weening to her that it was best so to do, in eschewing and dreading of slander"

   1485, Thomas Malory, Le Morte Darthur Book XX, Chapter vii, leaf 404v

   Let him eschew evil, and do good; let him seek peace, and ensue it.

   1611, The Holy Bible, […] (King James Version), London: […] Robert Barker, […], →OCLC, 1 Peter 3:11

   Above all, let her eschew the impertinence of invention; let her leave genius to her milliner.

   1831, L[etitia] E[lizabeth] L[andon], chapter XVIII, in Romance and Reality. […], volume I, London: Henry Colburn and Richard Bentley, […], →OCLC, page 218

   He could afford no servants, and would admit but few visitors to his absolute solitude; eschewing close friendships and receiving his rare acquaintances in one of the three ground-floor rooms which he kept in order.

   1927, H. P. Lovecraft, The Horror at Red Hook

   [S]he [Edwina, mother of Tennessee Williams] was indeed Amanda [Wingfield, character in Williams' play The Glass Menagerie] in the flesh: a doughty chatterbox from Ohio who adopted the manner of a Southern belle and eschewed both drink and sex to the greatest extent possible.

   2014 November 14, Blake Bailey, “'Tennessee Williams,' by John Lahr [print version: Theatrical victory of art over life, International New York Times, 18 November 2014, p. 13]”, in The New York Times