ilinx

As illustrations he provides sports for agon, lotteries for alea, hero-worship for mimicry, and tightrope walking for ilinx.

1969 -, Roscoe Conkling Brown, Bryant J. Cratty, New perspectives of man in action, page 183

In literature, ilinx and its free play are represented by what Bakhtin calls the carnivalesque: chaotic structures, creative anarchy, parody, absurdity, heteroglossia, word invention, subversion of conventional meanings (a la Humpty Dumpty), figural displacements, puns, disruption of syntax, melange des genres, misquotation, masquerade, the transgression of ontological boundaries (pictures coming to life, characters interacting with their author), the treatment of identity as a plural, changeable image—in short, the destabilization of all structures, including those created by the text itself.

2001, Marie-Laure Ryan, Narrative as Virtual Reality, page 186

The tempest he conjures up can also be seen as a form of ilinx, in which those on the ship are tossed and tumbled about by his magic, a dark form of play in which Prospero alone knows that they are safe.

2015, Joe Winston, Transforming the Teaching of Shakespeare, →ISBN

Similarly, the search for vertigo (ilinx) through intoxication and wild dancing creates a fantasy world which leads into a vision of the sacred.

1971, Parergon - Issues 1-13, page 54

Among adults, ilinx may be achieved through certain dances involving rapid turns, such amusement park rides as roller coasters, and a variety of adventure activities, including skydiving and bungee jumping.

2007, Daniel D. McLean, Amy R. Hurd, Nancy Brattain Rogers, Kraus' Recreation and Leisure in Modern Society, →ISBN, page 29

Incapable of realizing his megalomaniac aspirations the artist, parodying his abortive efforts, very literally blows the whistle on his own Art : the ironic sifflet which mercilessly disrupts the "parfaite idealisation" embodied by Fancioulle translates nothing less than the inability of the romantic artist to sustain the ilinx, to abolish the ironic interstice separating subject from object, spectator from spectacle.

2007, Judith Spencer, Of fools, fops and funambulists, page 806

When consciousness is open to understanding and experiencing the values and mysterious meanings of masks, it will shun all the dangers accompanying their powers of mimicry (in the persona and its capacity for imitation) and ilinx (the overwhelming influence of numinous archetypes).

2012, Anna-Teresa Tymieniecka, The Origins of Life: The Origins of the Existential Sharing-in-Life, →ISBN

The experience of ilinx is about submitting to pain and failure, even to the sensation (or the illusion) of abandoning control.

2019, Kristine Jørgensen, Faltin Karlsen, Transgression in Games and Play, →ISBN, page 28